Hmm… Where to begin? As with many an avid reader, there’s a special kind of nostalgia I get when returning to books or authors I’ve read as a child. V.C. Andrews was one of those authors I read in that in-between space, when I had already exhausted such fare as A Wrinkle in Time, and was looking for something edgier, but wasn’t quite ready to make the leap to adult or literary fiction. Having already established my affinity for all things macabre or off-center, I was drawn to the gothic tales woven in My Sweet Audrina and Flowers in the Attic, and even more satisfying was the fact that I was the only child in 5th or 6th grade reading such disturbing material, which I happily recounted to my soft-stomached schoolmates.
Given this backstory, I was excited when given the opportunity to read an advance copy of the newest offering by Andrews, Spindrift, about a group of young women who attend an elite academy, only to have one go missing. Gothic mystery fiction, female protagonist(s), academia, and one of my favorite childhood authors– what could be better?
Turns out, A LOT.
This book is not well written. It’s messily-plotted, the characters are superficial, with little to no depth, and there’s hardly a phrase worth re-reading, so clunky and utilitarian is the language. There’s nothing of the sexy gothic mystery, that stomach-churning feeling I so vividly recall from my previous experiences reading V.C. Andrews. And don’t even get me started on the inherent (and accidental) irony of calling this series “The Burden of Brilliance”. You might expect, given that title, the book would be oh-so-clever. And you’d be sorely disappointed. I didn’t even want to bother writing a review, such was my dismay. And then I had a realization:
Hadn’t V.C. Andrews died before I was even born? How was she creating more work?
Turns out, she wasn’t.
This book isn’t written by V.C. Andrews at all– which is perhaps the most interesting part of the whole story here. Andrews herself died in 1986. Thirty-two years ago. So now you’re thinking “okay, that’s not weird at all. There are plenty of books posthumously published, plenty of tertiary pieces that remained hidden in a desk drawer, and perhaps this was just one of her lesser works, only recently discovered”. But no, that’s not what’s going on here.
This is a case of ghostwriting, with an emphasis on the ghost part.
Turns out, an author called Andrew Neiderman has been ghostwriting for V.C. Andrews, cashing in on her likeness for years, both on paper and on screen. Neiderman is best known for writing The Devil’s Advocate, which went on to be a widely popular film, though it’s widely regarded as being one of the few films that is better than its original material. I can’t help but feel a bit disgusted by this trickery, not only because it’s a little gross that a publisher would conspire to pass off work that is not Andrews’ herself, but because the writer they chose pales in comparison to Andrews. I have so many questions: when there are so many talented authors out there, why choose someone so subpar?
And more importantly, WHY THE EFF would you choose an older, male writer to ghostwrite for a woman who is known for writing feminine stories, from the perspective of young women, for an audience of young women?